By David Punter
The completely improved and up to date New significant other to the Gothic, provides a sequence of stimulating insights into Gothic writing, its historical past and family tree. The addition of 12 new essays and a piece on ‘Global Gothic’ displays the path Gothic feedback has taken over the past decade.
- Many of the unique essays were revised to mirror present debates
- Offers entire assurance of feedback of the Gothic and of some of the theoretical techniques it has encouraged and spawned
- Features vital and unique essays via best students within the field
- The editor is well known because the founding father of smooth feedback of the Gothic
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Additional info for A New Companion to the Gothic
Lloyd Smith and V. Sage. Amsterdam: Rodopi. Home, Henry, Lord Kames (1839). Elements of Criticism (1762). 11th edn. London: B. Blake. Hurd, Richard (1963). Letters on Chivalry and Romance (1762). University of California: Augustan Reprint Society. Johnson, Samuel (1986). The Rambler 4 (1750). In Samuel Johnson, ed. D. Greene. Oxford: Oxford University Press. Johnston, Arthur (1964). Enchanted Ground: The Study of Medieval Romance in the Eighteenth Century. London: Athlone Press. Keane, Angela (1995).
J. Carroll. Oxford: Clarendon Press. Sade, D. A. , Marquis de (1989). ” In One Hundred and Twenty Days of Sodom, trans. Austyn Wainhouse and Richard Seaver. London: Arrow Books. Sage, Victor (1988). Horror Fiction in the Protestant Tradition. London: Macmillan. Summers, Montague (1931). ” Architectural Design and Construction 2, 78–81. Walpole, Horace (1982). The Castle of Otranto: A Gothic Story (1764), ed. W. S. Lewis. Oxford: Oxford University Press. Warton, Thomas (1979). History of English Poetry from the Twelfth to the Close of the Sixteenth Century (1774–81), 4 vols, ed.
Romances were seen to eschew moral and rational instruction and stimulate all kinds of luxurious, superstitious, and indulgent fancies, thereby seducing young readers from the proper paths of social and familial duty and virtuous understanding (Williams, 1970). Here, the specter of unbridled, appetitive consumption shadows the case for the novel: the growing market for ﬁction offered to a newly leisured middle class by authors, publishers, and circulating libraries threatens, without proper parental supervision, to overwhelm a ravenous reading public with material of no moral, rational, or social value whatsoever (Lovell, 1987).
A New Companion to the Gothic by David Punter