By David Bell
An advent to Cybercultures offers an available consultant to the key kinds, practices and meanings of this rapidly-growing box. From the evolution of and software program to the emergence of cyberpunk movie and fiction, David Bell introduces readers to the foremost elements of cyberculture, together with e mail, the web, electronic imaging applied sciences, computing device video games and electronic lighting tricks. every one bankruptcy includes "hot hyperlinks" to key articles in its better half quantity, The Cybercultures Reader, feedback for additional interpreting, and information of correct websites.
Individual chapters examine:
• Cybercultures: an introduction
• Storying cyberspace
• Cultural reviews in our on-line world
• group and cyberculture
• Identities in cyberculture
• our bodies in cyberculture
• gaining knowledge of cybercultures
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Additional info for An introduction to cybercultures
Boundary stories about virtual cultures’ (Chapter 32: 504–28). David Tomas, ‘The technophilic body: on technicity in William Gibson’s cyborg culture’ (Chapter 10: 175–89). Further reading Jenny Abbate (1999) Inventing the Internet, Cambridge MA: MIT Press. Dani Cavallaro (2000) Cyberpunk and Cyberculture: science ﬁction and the work of William Gibson, London: Athlone. Paul Ceruzzi (1998) A History of Modern Computing, Cambridge MA: MIT Press. Erik Davis (1998) TechGnosis: myth, magic and mysticism in the age of information, London: Serpent’s Tail.
But it is enough, more than enough, for Barlovian cyberspace to blossom and grow. (Jordan 1999: 57–8) In these accounts, the interplay of cyberpunk and CMC is signalled as productive – cyberpunk is seen as providing a ‘cognitive map’ of human-computer interaction, tinged with critical warning signs. However, other critics argue that cyberpunk has had a negative impact, propagating myths that obscure the reality of cyberspace. For instance, McBeath and Webb (1997: 249) write that ‘[t]here are many confusions haunting cyberspace.
My friend Ian had the equipment and games, and I could occasionally get access to them, though I had to then lie about my leisure time, since my parents were against things like computer games, just as they were against watching TV in the day, or hanging around shopping malls, or going to McDonald’s (and for pretty similar reasons). My fear of being found out limited my game-playing, and to this day I have to admit to retaining some discomfort around computer games, even as I marvel at their creativity and their players’ skill.
An introduction to cybercultures by David Bell